What shipped, what ran, what we measured.

DJ B’s full Decks page beside DJ A’s, in a single SINGULARITY window.

• FULL or STRIPS for the other rig.
• One menu rail; each half runs its own engine.
• Half-width screens tidied: nothing under the window buttons.

Face 2 Face on one laptop screen: DJ A and DJ B side by side, menus on the outside, a blinking DUO chip so nobody forgets the other rig is live.

• One click: DJ A | DJ B or DJ B | DJ A.
• The rigs meet in the middle; menus stay on the edges.
• DUO chip blinks while the other rig is live.

Face 2 Face on one laptop: both DJs’ decks reach Resolume as PLAYER 1–8, and every cue follows whoever plays.

• DJ B’s decks join the show as decks 5–8.
• TCNet carries all eight to Resolume; LTC stays per rig.
• Cues, lighting lanes and crew calls follow either DJ.

Face 2 Face from a single SINGULARITY: each rig on its own network, both on one screen.

• One adapter and switch per rig; the rigs never share a network.
• The second rig only reads; every output stays with the first.
• Pull either cable and the other rig carries on.

In DUO, the other DJ’s decks can go on their own screen, full height. And the app now looks like the LAYERS OF TIME website.

• WINDOW ↗ moves the other rig to a second screen; BRING BACK returns it.
• OVERVIEW fits both rigs on a 13-inch laptop; FULL gives your rig the whole toolset.
• Same typefaces (Söhne), colours, lines and motion as the website: one studio, one look.

Face 2 Face sets get their own mode: each SINGULARITY shows the other DJ’s decks beside its own.

• DJ A on the left, DJ B on the right: decks, waveforms, mixers.
• One cable between the two laptops; each still runs its own show.
• Pull the cable and nothing on stage changes; it reconnects by itself.

The automation editor now zooms, drags and nudges the way producers expect.

• SHIFT + scroll zooms around the pointer.
• SHIFT locks a drag, ALT frees it from the grid.
• Arrow keys nudge by beat or bar.

Sketch a fade for any DMX channel or Resolume parameter right under the waveform, and it plays with the DJ: loops, jumps and pitch included.

• Fades and builds for Art-Net and OSC, drawn on the beat grid.
• Follows the track’s position, not a clock: a loop loops the light too.
• Only the deck on air moves the lights; a fade can follow the DJ’s channel fader.
• 44 updates a second, 16-bit for smooth moving lights, TEST without a DJ.

Pages glide, menus settle and numbers count up, while timecode and waveforms never lose a frame.

• Calm, Apple-like motion: one curve, three speeds, no bounce.
• Timecode, playheads and waveforms are never animated: they always show the truth.
• Motion steps aside by itself if a screen ever drops frames.
• AUTO / ON / OFF per screen.

Type “Dal”, pick Dallas, Texas, and every time from that night reads in Central Time.

• 34,000 cities built in, so it works on venue networks with no internet.
• “Time zone in Dallas, Texas, United States (GMT−5) · Central Time”, daylight saving included.
• Every device has a history: which venues, which nights, which IPs.
• Old strangers on the network move to an archive by themselves; nothing is ever deleted.

Every night starts with a clean device list, and SINGULARITY remembers each venue’s rig for you.

• The Network list shows only tonight’s gear; every venue’s devices are one tap away.
• Each night in History keeps its rig: which CDJs and mixer, which IPs.
• A new rig? SINGULARITY offers to save it as a venue.
• Set reports you can read: every track on its own row with the mixes shown, and a tempo curve.

One tap at the start and end of a set, and SINGULARITY writes the artist a report: what they played from their set list, what they skipped, and what they dropped in.

• 9 of 12 played, 3 skipped, 2 extras, 1 h 05 on air, at a glance.
• A timeline of the set where the overlaps are the mixes.
• Export a one-page PDF for the artist, or a CSV.
• Every night in the venue’s local time: Dallas, San Francisco and Atlanta on one tour, all reading right.

Bigger deck titles, calmer screens, and an UNDO for when you tidy up a bit too much.

• Deck titles 15 → 20 px; no text anywhere under 10 px.
• The set list says ON DECK and PLAYING, and only the playing track lights up.
• UNDO after forgetting network devices.
• Restore devices, venues or set lists from any earlier session, without overwriting anything.

The department CALL screens now fit an iPhone edge to edge, with nothing squeezed off the side.

• The countdown, note and GO bar always fit the width.
• Long track titles shorten neatly.
• The first update installed from inside the app.

No more USB sticks between soundchecks: SINGULARITY now updates itself.

• SINGULARITY and SINGULARITY:RECEIVER find new versions themselves, then download, verify and install them with one click.
• Never mid-show: updates are refused while Show lock is on, or while timecode is running.
• Each download is checked against a published SHA-256 before anything is installed.
• One setup for both: install SINGULARITY and, optionally, the receiver in one go.

Switch off a receiver mid-show, and every other one keeps its timecode.

• Each receiver gets its own send.
• The crew CALL screens fit phones and tablets.

SINGULARITY:RECEIVER listens to its own LTC on the cable and only says VERIFIED when it’s right.

• It counts a frame only after three in a row.
• No false alarms on idle decks.

Pull the plug on the main: the standby takes over in 4.6 seconds and Resolume never jumps.

• The standby took over in 4.6 s.
• A restarted main comes back held, so the two never send at once.
• HAND BACK returns control cleanly.

A tiny always-on-top app that turns your Resolume computer into a timecode receiver with failover.

• LTC made on the Resolume computer, into a virtual cable.
• Failover per deck, with no jump on Resolume’s timeline.
• The next cue and the one after, counting down and pulsing.
• Paired by PIN; every packet signed.

SINGULARITY reads a DJM-A9’s faders, knobs and on-air state straight off the network.

• The mixer’s layout as a hardware-style console.
• On-air drives which deck is the master.
• Show lock and crew PIN pairing.

Our receiver ran LTC into Resolume for a full live set.

• Timecode packets instead of audio over the network.
• LTC made on the Resolume computer.
• Read back as VERIFIED.